Smoke carries our energy, prayers, and petitions upwards to the Gods and the sweet scents are most pleasing to them.
"But we will certainly do whatsoever thing goeth forth out of our own mouth, to burn incense unto the Queen of Heaven, and to pour out drink offerings unto Her, as we have done, we, and our fathers, our kings, and our princes, in the cities of Judah, and in the streets of Jerusalem: for then had we plenty..."
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Although I do have a few longtime favorite incense stick brands, I much prefer to work with raw natural resins. I go out of my searching for organic fair trade resin incense, having several varieties from different regions in my collection. Some are so expensive and precious that I might only burn a bit once a year. I've learned how to make traditional Egyptian Kapet, or Kyphi as the Greeks called it. These heavily scented resin pellets take many days to manufacture, adding one ingredient a day. I also make several types of herbed incense blends, combining granular resin, aromatic woods, dried spices, flowers, and essential oils for specific purposes.
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Burners made of soapstone or clay readily disperse heat. Metal versions in brass, copper, or iron are fine too but be very careful about handling them as they hold the heat. Although many Witches prefer to use little black iron cauldron, I generally use a Mayan style clay bowl with a short thin leg under it that I can easily handle and move about the room with.
There are many brands of charcoal tablets but I like swift-lite. These can be ordered online or found locally in Christian stores, metaphysical shops, smoke shops, hookah cafes, and middle eastern grocers. Usually I will break a tablet in half or even quarters. Again a little goes a long way.
Fill the burner with a bed of sand,
rice, or rock to absorb the heat. I've made lovely colored censor sands using aquarium ingredients, marbles, & crystals.
Place the burner on a protective
surface that is nonflammable and heat resistant. Marble coasters, flat rocks, or porcelain tiles will protect the tabletop surface
from the heat. If burring stick or cone incense go ahead
and place lit incense on or in the rocks. If burning resin incense, light the
charcoal and once the spark has traversed the entire charcoal and the briquette
is glowing hot (you can tell by blowing on it a little), it's time for the
resin to be placed on the charcoal. You can also put a layer of table salt over
the charcoal to reduce the heat, slowing the burning process to produce a
heavier fragrance. Start by burning a very small amount of resin at a time as this type of incense can smoke more heavily than powdered herbs or stick incense. A little will go a long way. Then add
more as desired. For beginners, I recommend starting the process outdoors, or
on the stove top under the exhaust fan to control the amount of incense
fragrance and smoke being released.
At no time should you touch the charcoal briquette once lit. It is
very hot and will burn you. If you need to move the charcoal once lit, us
tongs, or a metal spoon or fork. Be cautious when touching or moving the
soapstone container during or after the charcoal has been burning on it. Be
aware of how hot the bottom of the burner is getting so that it does not damage
the surface it is on. If the bottom is hot, you need to add more non-flammable
material such as rice, rocks or sand. Or put a thicker barrier between the bottom of
the burner and your surface.
I suggest beginning with frankincense. It is readily available, has a range of prices, and burns easily. You can then begin to sample myrrh, benzoin, dragons blood, copal, and any number of other types of resin. Consider what you have in your own environment. Pine sap and green juniper cones are very fragrant. Learn the associations, the energies, and the history of different resins. Far from being simply a 'dressing' on a ritual, the resin can lead to deeper understanding within any working. They come from living plants and are a gift to us.
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